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Feedback for Introduction to XML, April 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed April 2013 session of Introduction to XML, taught by Robert Chavez. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for What Do I Do With All These Pictures? Getting Started With Digital Image Collections, April 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed April 2013 session of What Do I Do With All These Pictures? Getting Started With Digital Image Collections, taught by Beth Knazook. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Bilingual Storytime at Your Biblioteca, April 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed April 2013 session of Bilingual Storytime At Your Biblioteca, taught by Katie Scherrer. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Digital Scholarship: New Metrics, New Modes, April 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed April 2013 session of Digital Scholarship: New Metrics, New Modes, taught by Marcus Banks. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Considering an Open Source ILS, April 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed April 2013 session of Considering an Open Source ILS, taught by BWS Johnson. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Connecting with Spanish-Speaking Communities, March 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed March 2013 session of Connecting with Spanish-Speaking Communities, taught by Katie Scherrer. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Webinar Series with EveryLibrary: Libraries on the Ballot

Is your library going to be on the ballot within the next 3 years? Get the information you want and the tools you need to plan the campaign and win on Election Day. Join EveryLibrary and Library Juice Academy for a new 9-part webinar series focused exclusively on local library ballot measures like levies, bonds, and referenda. Whether you are running an Information-Only campaign through the library or are managing a Vote Yes campaign through a ballot committee, you will learn relevant, proven, and actionable techniques for voter segmentation, canvasing and GOTV work, coalition building, opposition research, and campaign management. These webinars are non-partisan, non-political, and pro-library. Sessions will include interactive Q&A time with subject-experts, and participants will receive best practice guides for each topic.

Seats are $25 per webinar session, or $150 for the full series.

Schedule:

Session 1: EveryLibrary – Who we are, what we do, and how we can help you win at the polls (Free)
Thursday, June 13th, 2013, 3pm Eastern

Session 2: Library Ballot Campaigns 101: Organizations and Their Roles
Thursday, July 11th, 2013, 3pm Eastern

Session 3: One Goal, Two Campaigns: Running Effective Informational and Vote Yes Efforts
Thursday, August 8th, 2013, 3pm Eastern

Session 4: Hiring a Campaign Consultant: Thinking Through the Process
Thursday, September 12th, 2013, 3pm Eastern

Session 5: Voter Segmentation and Turf Cutting: Using Data to Drive Success at the Polls
Thursday, October 10th, 2013, 3pm Eastern

Session 6: Pre-polling, Ballot Language and Opposition Research: Getting to Know What You Don’t Know
Thursday, November 14th, 2013, 3pm Eastern

Session 7: Planning Your Message to Voters: How to Talk to Voters and Not Just Library Users
Thursday, December 12th, 2013, 3pm Eastern

Session 8: Endorsements, Coalition Building, and Finding Volunteers: They Won’t Say Yes Unless You Ask
Thursday, January 9th, 2014, 3pm Eastern

Session 9: Campaign Contributions and Reporting: Avoiding Red Flags and Paperwork Headaches
Thursday, February 13th, 2014, 3pm Eastern

Click here for more information

Certificate in XML and RDF-Based Systems

In this 6-course certificate program, you will gain competency as a coder in XML and RDF-based systems that create, transform, manage, and disseminate content and metadata. Typically, these are the structures at the heart of content management systems, repositories, and digital libraries. Topics covered include XML fundamentals, XPath, DTDs and Schemas, standard markup languages, XSLT and Xquery, the semantic web, RDFa and RDFa Lite, RSS, ontologies and linked data, and the SPARQL semantic query language and protocol.

Courses in the series:

1. Introduction to XML

2. Transforming and Querying XML: An introduction to the XSLT and Xquery

3. Introduction to the Semantic Web

4. RDFa1.1 (RDFa and RDFa Lite) and RSS

5. Ontologies and Linked Data

6. The SPARQL semantic query language and protocol – the Semantic Web in action

These courses are four-weeks in duration and taught asynchronously.

These courses work best if taken in sequence, as the sequence builds on knowledge gained, but we have no formal prerequisites in place. If you need to take them out of sequence, feel free to contact us about your situation.

The cost for each course is $175, but you can register for all six courses in the program at once and receive a 10% discount.

More Information

Feedback for Success in First Library Supervisor Position, March 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed March 2013 session of Success in First Library Supervisor Position, taught by Tony Garrett. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Introduction to RDA, March 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed March 2013 session of Introduction to RDA, taught by Melissa Adler. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Working Faster, Working Smarter: Productivity Strategies for Librarians, March 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed March 2013 session of Working Faster, Working Smarter: Productivity Strategies for Librarians, taught by Emily Drabinski. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Feedback for Do-It-Yourself Usability Testing, March 2013 Session

We would like students to leave their public feedback, or reviews, on the now completed March 2013 session of Do-It-Yourself Usability Testing, taught by Rebecca Blakiston. Participants’ feedback will help us know how we can improve, and also to give others a sense of what our classes are like.

Thanks!

Certificate in User Experience (UX)

In this 6-course certificate program, you will learn the fundamentals of user experience (UX) and how to apply user-centered strategies to library websites and beyond. The program begins by teaching you the key concepts of UX design and how to employ them in your website projects. Next, you will learn the ins and outs of information architecture: how to structure and organize your content so that it is both discoverable and navigable in the easiest way possible. The next two courses will give you the tools to continually get feedback on your website through usability testing and other research methods. You will then learn how to better write for the web so that once your users discover your content, they can both understand it and act on it. Finally, you will learn how you can create a website content strategy, so that from that point forward all your content will be useful, usable, and findable. All together, these courses cover a breadth of topics that will equip you with the skills necessary to create, manage, and sustain library websites that provide an excellent user experience.

Courses in the series:

Designing a Usable Website (Concepts of User-Centered Design)
Instructor: Carolyn Ellis |
Credits: 1.5 CEUs |
Cost: $175

Information Architecture: Designing Navigation for Library Websites
Instructor: Susan Teague-Rector |
Credits: 1.5 CEUs |
Cost: $175

Do-It-Yourself Usability Testing
Instructor: Rebecca Blakiston |
Credits: 1.5 CEUs |
Cost: $175

Beyond Usability Testing: Other Research Methods
Instructor: Sonali Mishra |
Credits: 1.5 CEUs |
Cost: $175

Writing for the Web
Instructor: Nicole Capdarest and Rebecca Blakiston |
Credits: 1.5 CEUs |
Cost: $175

Developing a Website Content Strategy
Instructor: Rebecca Blakiston |
Credits: 1.5 CEUs |
Cost: $175

These courses need not be taken in sequence for the purposes of earning the Certificate in User Experience, and none have prerequisites. Contact us for more information.

Interview with Ray Schwartz

Ray Schwartz is a systems librarian at the William Paterson University in Wayne, New Jersey. He frequently presents on topics relating to the use of many forms of electronic transactional data and datamining. He is teaching a course for Library Juice Academy next month called, “Collecting and Evaluating Electronic Transactions from Library Services.” He agreed to do an interview here to give people a better idea about what will be covered in the class and where he is coming from.

Hi, Ray. Thanks for agreeing to do this interview. I’d like to start by asking about your background, that is, how you came to be doing the work that you’re doing that led you to propose this course to us.

I began working in libraries back in the late 80s as library assistant at Columbia University. It was there I developed a strong interest in computing and libraries. After I acquired my MLS in 91, I began working at a cataloger until 1994 when I took a job as an “Electronic Resources” Librarian at Rutgers University. I was always interested in the underlying workings of systems, be it library catalogs, and any other kind of machine. But of course the main reason why we are doing the work we are doing is to have an impact upon our users and society as a whole. Hence, the interest in analytics and other assessment tools.

It seems like one of the benefits of more sophisticated systems is that there is a greater variety of data that you can use for that purpose. I mean, part of the problem with relying heavily on circulation data, from my point of view, is that it doesn’t tell you anything about the nature of the use – whether a book was checked out along with 50 others for skimming or whether it was read closely again and again for example, and also that books used within the library and put back on the shelves aren’t represented in circulation counts. What are some ways that the greater abundance of data now is improving your ability to make judgments that are numbers-based?

Before I get to your question, I would like to comment on what these numbers tell one about the “nature of use”. In short—not much. Without qualitative tools, such as focus groups, one’s ability to know “nature of use” is very limited. Take for example interlibrary loan, one cannot assume that charging out materials from ILL means a patron approves of the quality of these items. Past studies have shown many times books are requested by a patron to evaluate and are subsequently rejected. Considering your observation about books being used in the library and later reshelved, some libraries do record that usage by scanning the barcode as a “browse” and not a “charge” before reshelving them. One always have to be careful in over interpreting the data. However, given that there is more variety in what is collected, there is more opportunity in “triangulating” the transactional trails. Before, we could not look at article usage, but now we can see these numbers. One can compare book circulation, database use, catalog use, web site use and other services by a given category of user (e.g., undergraduate history majors). Of course, our on-campus use of databases does not record any categories regarding the patron (only location of the machine and browser software). Whereas off-campus use has all patron categories recorded. So to get back to your question, it is possible to see if a select group of patrons use one service more than another. This analysis can lead to reallocation of resources or changes in marketing and/or support, and further inquiries via qualitative tools. Also web analytics, though difficult to implement, are a set of tools where one could dive further into the use of web resources, such as how long people remain on a particular web page, from where did they click from, and how many new and returning users there are.

Okay, you’ve referred to some of the data sources and techniques that you will be covering in the class. Can you say a bit more about what you will cover and what participants can expect to come away with?

The course is a holistic overview of the academic library operations in respect to transactional data collection, data manipulation and analyses—both current and potential. From a systems librarian’s perspective, I will cover what data can be collected, what tools and coding and/or database management skills are needed for collection, evaluation, and analyses, and the issues of privacy and retention of data. We will explore how those tools and skills can be used to warehouse and mine data. Examples will cover the range from in-house solutions built by skilled programmers to the average computer user operating Google Analytics, Microsoft Access and Excel. The types of analyses demonstrated will be web analytics, trend visualization and dashboards. The course will not teach students how to use the tools, but will introduce them to the tools’ capabilities, accessibility (e.g., cost), advantages and disadvantages. What I intend for the student to walk away with is an understanding of the both potential and limitations of what one can do with this data.

That sounds great.

One interest of mine personally is critical analysis of the way we use data in libraries, so I am pleased that you will give attention to the limitations of what we can do with the data that is collected. A favorite example of how it is not always obvious what conclusions are to be drawn from data is when a typical academic library director will draw two opposite conclusions from indications of lower-than-expected resource use. If it’s books, then the conclusion tends to be that the collection budget ought to be shrunk in order to transfer funding to meet patron demand. If it is an electronic resource, then the resource is “underutilized” and needs to be actively promoted. Just something I have observed over the years. I am not sure if that type of phenomenon is within the scope of your class, but the way that people reason with data could fall into the category of analysis of data as you cover it, I would imagine. Do you think that the availability of data and tools creates a temptation to overuse data, or to draw conclusions from available data that are not valid, or strongly determined by the way that the data is produced?

People always over-interpret and/or infer whatever data they have, or even use the data to justify prior agendas. One must understand what is REALLY being recorded and be disciplined in his/her approach. Yes, the course will always emphasize this issue throughout. To answer the latter part of your question, I tend to believe that the introduction of new tools does have what I call a ‘honeymoon’ period. People (particularly in our culture) are seduced by new and powerful applications. It is once people get more experience with the application that the questions are brought up. It is like looking at the world through a long tube. There is only so much you can see.

Thanks, that’s insightful. I have a final question as a way of following up. I wonder what you would suggest if you had the opportunity to teach any class that you wanted, even if it might seem unusual or unorthodox, or of limited interest. What would be your dream course to teach?

Interesting question. I would probably give you a different answer depending where my mind is at the moment. Well, personally I would love to structure a ‘hackathon’ where the outcome makes an important impact in the lives of people. Sounds very general, but what I mean is to get a group together to crunch the numbers and processes (and what I mean by processes are how numbers are portrayed and used) in a way to motivate people politically to improve theirs and others’ lives. The hackathon would not only have coders attending, and in order to function it should have a variety of people with various skills, outlooks, and experience. The underlying intent is to show people how to work together to create change.

That’s an extremely interesting idea – thank you. This has been an interesting interview. Best of luck with your class, and thanks for taking the time to do this.

You’re most welcomed.

Interview with Beth Knazook

Beth Knazook is an image archivist who has worked for the Ryerson University Archives & Special Collections and as the Photo Archivist for the Stratford Festival of Canada. Her expertise is in photographic preservation and photographic collection management, and that is the subject of her introductory course for Library Juice Academy next month, “What Do I Do With All These Pictures? Getting Started With Digital Image Collections.” Beth agreed to be interviewed here to give people a better sense of what they will learn from the class and about her background as an instructor.

Beth, thanks for agreeing to be interviewed. I thought I would start by asking about your background as an image curator, how you ended up in the position of teaching a class like this, and what your work experiences have been like.

I’m a bit of a jack-of-all-trades when it comes to photographs. I was trained as a Photographic Preservation specialist and to me, that means I’m able to adjust my practices to the needs of the individual collecting institution, whether that be a library, archive, museum, corporate or private collection. I’ve spent a good part of my career in an academic library, which makes teaching for Library Juice such a nice fit. On a personal note, I’ve always had a very tactile interest in photographic books so I’ll probably run off on a bit of a tangent about digitizing from book sources and caring for photographically-illustrated publications, fair warning!

This class is a condensed version of a class I co-taught with a library colleague at Ryerson University for the MA program in Photographic Preservation and Collections Management. At the time I was the Curatorial Specialist for the Archives & Special Collections department and a graduate of the MA program myself, and I provided the project materials and supervision for their exercises in the digitization and cataloguing of special image materials. I’m fairly vocal about my opinions on cataloguing standards and it didn’t take long before my colleague just handed over a chunk of the class to me to discuss these issues! It was a really great experience and I’m very happy to have the opportunity to bring the ideas and practices we discussed to the community of library professionals. It’s very empowering to see the degree of flexibility in the act of cataloguing and in the choices we make when digitizing. I want librarians to come away from this class with the same understanding that our Photo Preservation students had: there is no right or wrong way to approach a digitization project. There is a best way, and that is particular to your collections, your organization and your goals. If librarians were to take anything away from this course, it will be the confidence of knowing that the choices they’ve made are good ones, and not to worry that the institution next door is making different choices.

Ok, hm. So what are some of the differences that can lead to different “ideal” approaches to a digitization project?

There’s quite a bit of consensus across the major collecting institutions regarding minimum digitization standards, but I feel that the word minimum is not nearly emphasized enough. While these guidelines have been carefully prepared to meet most requirements today and into the near future, are they really sufficient for your project? I hope to give librarians the tools to understand this – hence, the “ideal” way to digitize.

There are also a number of questions that will arise in the course of a digitization project that turn out to be rather insular, and they can only be answered by a critical evaluation of the materials you have in front of you, and a consideration of the expected or desired use of the images by your audience. For instance, are you digitizing original photographs, copies of original photographs, or photographs that convey a specific subject? In the case of an original photograph, your digitization practices might include making a full scan showing the border of the photograph and a ruler for scale, and perhaps even a scan of the verso for unique marks or signatures. In the case of the photograph as a carrier for a subject, information about the photographic object is no longer the most important information to convey. You might choose to crop or make perceptual colour or highlight adjustments that better show off the subject within the context of your online presentation. How you choose to catalogue these images will be influenced by these choices. Does your audience need to know the specific photographic process that produced this image or will “black and white” suffice? Do they care about the dimensions? I’m not saying that you wouldn’t record these pieces of information, but perhaps you wouldn’t present them first in your record.

We will also get into some practicalities of delivering the images to the end user, which include questions such as: Are you able to offer your digital images for reproduction in academic or commercial publications? Even if you can, do you want to? Do you want your images to be discoverable individually or do you expect your users to browse archival fonds or class-based image collections? If you said “yes to all”, how will you anticipate this in your cataloguing?

Now I’m starting to worry that we’re giving away too much of your course content for free. :) But I think this does give a good sense of the kind of issues you will be covering. I’m getting curious now, too. I wonder if you can say a few words about what some of the hot issues are right now in the field of photographic digitization, curating, and control?

Copyright is always a hot topic, and since I’m living in Canada at the moment I can say that recent changes to our copyright legislation is generating a lot of nervous chatter regarding the photographer’s ownership of materials produced in the course of work done for hire. As caretakers of cultural heritage, we have a responsibility to provide access to the materials in a modern format and I think a lot of people in the field don’t fully understand what constitutes copyright compliance when it comes to digital distribution. We look to each other to reassure ourselves that our practices respect the rights of the creator and the user.

Interesting. You told me earlier that you’re going to be starting a PhD program in the Fall, at Queens University. Is that in Toronto? What will you be studying? Do you have a focus defined at this point?

Yes, I have an exciting opportunity to pursue research in the history, use and care of nineteenth century photographic books. Queen’s University is in Kingston, ON and it has an excellent art conservation program that will give me a great perspective on the topic. I look forward to picking that up in September.

Well, that’s great. I hope you’ll have the time to continue teaching for Library Juice Academy once you’re in that program, but I will understand if you’re not. Thanks for taking the time to do this interview.

I seem to gravitate towards the blogs, conferences, websites and literature spawned by the library community, so I imagine I’ll stay close to the field. My research should certainly carry some interest for librarians as I intend to look at the distribution and reception of the early photographic book, hopefully answering some valuable questions about our inherited collections. Of course, participating here is one way to keep up with the conversation!